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Read our blog posts for the latest news, views and thoughts from the mrl productions team here in Essex.

Taking a stand build to Europe

Writer: Lisa Harding
Lisa Harding
4 days ago
8 min read

Carnets, customs and crew

From the show floor, a conference or exhibition looks easy. The stage is lit, the screens are sharp, the sound is clear and everything starts on time.


It only looks that way because of the work nobody sees. We check the rigging points before anything goes up. We focus and programme the lights. We build the staging to fit the room, and we run the show from load-in to load-out.


When the event is in Europe, that work starts long before the doors open. Before a single light is focused or a truss is rigged, the kit must get there: across a border, through customs, with the right people and the right paperwork. Get that wrong and nobody sees the lighting or the staging, because it’s still sitting in a lorry at the port.


Here’s how we plan it, starting with the document that matters most.


UK ATA Carnet pack used for transporting goods across Europe and back again.
UK ATA Carnets

The carnet is not optional admin

An ATA carnet is essentially a passport for your equipment. It lets us take truss, lighting, staging, LED walls and other kit into participating countries temporarily, without paying the usual import duties and taxes, on the condition that everything comes back out again when the job is done.


For us, that means the production kit: truss and rigging, lighting, staging, LED Wall, audio, cabling, power distribution and the flight cases that carry it all.


It must be issued before we travel, and it’s normally valid for 12 months. That sounds generous, but if the kit is going to several shows, the route needs careful planning. Every country the goods enter, pass through or leave must be accounted for, and each movement has its own voucher that customs must stamp.


The application is detailed

A carnet application isn’t a quick form. We can’t just write “lighting” or “LED wall” and leave it there. Every item must be listed with its part number, not just a description, and that makes the inventory long and very detailed.


It must be right, too. That inventory is what customs check the truck against, so any mistake or vague line can turn into a problem at the border.


Get it stamped: taking a stand build to Europe

A carnet must be presented with the goods at the relevant border crossings, and customs need to endorse the vouchers on entry, exit and transit.


Miss a stamp, use the wrong port, or leave a transit voucher open, and you could be explaining the gap later. If goods aren’t properly re-exported, the carnet holder can end up liable for duties and taxes in the country they were admitted to.


Our advice is simple: treat carnet stamps like conference badges. Nobody leaves without one.


Plan the route, not just the event

Taking a stand build to Europe rarely takes a route in a straight line. There might be a ferry or tunnel crossing, a transit country, an overnight stop and then the venue, usually followed by the same journey back.


Your carnet must match that reality. When you apply, you need to list every country the goods will enter and the order you’ll travel in, including transit countries. So we build the logistics plan early and look at:

·       Event dates, load in, Site build windows and then the derig schedule

·       The truck route and border crossings

·       Whether the load needs splitting across vehicles

·       Where the carnet will be stamped, and who presents the paperwork at each stage

·       The return journey and final re-export


A beautifully planned truck load is useless if the paperwork route doesn’t match it.


MRL Productions trucks outside a barn location ready to be loaded for an event.
MRL Productions trucks ready and raring to go

Truck loading is a customs exercise too

Most people think of loading a truck as a puzzle of space. For a European event, it’s also a customs exercise, and weight matters just as much as space.


Weights are a key part of the loading plan. We need to know what every case and item weighs so we can stay within the vehicle’s limits and spread the load sensibly across the truck. Heavy items go where they should, not wherever there’s a gap. The packing list carries weights as well as part numbers and we use our loading software to plan the truck load accurately.


The packing list must match what’s in the truck, and the carnet inventory must match the packing list. Drivers and the crew need to be able to get at the documents quickly if they’re asked for them at a border or a venue gate. That means clear case labels, items grouped logically, and high-value kit that’s easy to identify. Goods on temporary admission generally need to stay identifiable and come back in the same condition, so repairs and processing abroad aren’t allowed under the usual rules.


We also load so that the first things we need on site aren’t buried behind the last things customs might want to see.


Local crew: book early, brief properly

Flying your own team out is only part of the equation. For some European events we also need local crew for build, de-rig, rigging or any venue-specific jobs.


We tend to book our local crew early as everyone is competing for the same skilled people. However, booking is only half the job. The crew needs a proper brief:

·       Knowing who to report to

·       Venue access times and unload details

·       Floorplans, drawings and the build sequence

·       Tools, PPE and certification requirements

·       Information on what to do if things don’t go to plan

·       The breakdown schedule and de-rig plan


A strong local crew can really save time on a build. A poorly briefed one can turn a straightforward install into a stressful week.


Flights are part of the production schedule

Flights can often get treated as a travel detail. For a European event, they’re part of the production plan. If our build crew lands after the truck, nothing can start. If our project manager leaves before breakdown is signed off, problems get handed to people who weren’t in the planning meetings. And if a flight is cancelled, we need a contingency that doesn’t rely on goodwill and a taxi rank.


We plan flights around the critical path: truck arrival, venue access, crew call times, technical handovers and the point where the space needs to be client ready. Then we add buffer where it matters.


Business travel is not the same as working abroad

It’s easy to assume that if someone can travel to Europe for a meeting, they can also build a show. That isn’t always true, and the first thing to understand is the 90/180 day rule.


Your total stay in the Schengen area must be no more than 90 days in every 180 days, and it doesn’t matter how many countries you visit. The 180-day window is a rolling one, so it isn’t a calendar year or a fixed block. For any trip, you count back 180 days from the date you plan to leave and add up every day you’ve spent in Schengen countries in that period. Visits made in the 180 days before you travel count towards your 90 days, and the limit covers all the Schengen countries you visit combined.


This catches out crews more than you’d expect. A technician who does a week in Germany, ten days in Spain and a couple of long builds in between can be a lot closer to the limit than anyone realises. Ireland and Cyprus sit outside the Schengen count and have their own rules. The EU’s entry/exit system, which began recording non-EU visitors in October 2025, is designed to track days in the Schengen area automatically. So, it’s no longer something you can quietly lose count of.


The 90 days is also only half the story. The visa-free allowance covers things like attending business meetings, but the requirements for working in a country are different. Rules vary by country, by the type of work and by how long someone is staying, so the key questions are:

·       Is the person attending, supervising or physically building?

·       Are they employed by a UK company or engaged locally?

·       How long will they be there, and how many Schengen days have they already used?

·       Is the work classed as business activity, technical work or employment?

·       Does the venue or local contractor need specific certifications?


A project manager overseeing a build may be treated differently from a technician doing hands-on installation. We confirm the position for each country, and check everyone’s day count, before flights and crew contracts are locked in.


The event pack

We give our drivers and build teams a full event pack with everything they need to know. It isn’t scattered across email threads. It’s organised, printed where needed, and available offline. It includes:

  • The ATA carnet and vouchers

  • Detailed packing lists with part numbers, weights and case labels

  • The loading plan and vehicle details

  • Venue access, unload and build-up information

  • Floor plans, drawings and the build schedule

  • Crew contacts and call sheets, including local crew

  • Insurance documents

  • Event manuals, health and safety forms and method statements

  • Return logistics and re-export instructions


That way, whoever is at the border, the loading bay or the venue gate has the answer in their hands, and nobody is phoning the office at 6am to ask.


The carnet can also act as a transit document for moving goods within the EU between the point of entry and the venue. But that only works if the movement has been planned and documented properly.


Day one and last day

When the truck arrives, everyone should know what happens in the first few hours:

  • Know where the marshalling are and access route are

  • Know what time the unload slot is

  • Know who meets the truck and signs for the delivery

  • Who checks the carnet, packing list and case labels before unloading starts

  • Who is responsible for unloading

  • Who walks the footprint with the local crew before any heavy items move

  • Who confirms any venue restrictions early


On a busy build day, the obvious things are exactly what get missed. A clear sequence protects the schedule, especially when the venue is running multiple stands and contractors.


De-rig deserves the same attention so before it starts, make sure everyone knows:

  • What comes down first and what stays accessible until the end

  • Which cases each item returns to

  • What gets counted back in before the truck leaves

  • Who checks the carnet vouchers and customs paperwork

  • What happens to anything that isn’t going back to the UK

  • The exact load-out time, and what happens if it’s missed


Goods on temporary admission are meant to go back out unchanged. If something is lost, damaged or left behind, it needs dealing with before the truck leaves, not at the border.



The mistakes we see most

After enough European moves, the same issues keep turning up. Most are avoidable:

  • Leaving the carnet application too late

  • A vague inventory, with descriptions but no part numbers

  • A loading plan that ignores weights

  • Truck plans, packing lists and a carnet inventory that don’t match

  • Forgetting transit countries, even if nobody leaves the cab

  • Assuming the driver will sort customs without clear instructions

  • Booking crew without checking their work permissions

  • Losing track of employees 90/180 day count

  • Underestimating breakdown and load-out schedules

  • No contingency for delayed ferries, flights or venue access


Final thought

Taking an event to Europe isn’t just about getting a truck from A to B. It’s about making sure the right kit, the right people and the right paperwork all arrive together, at the right time and in the right order.


When that happens, the build feels calm, the client feels looked after, and the event looks effortless. That’s the part of production we love: making the complicated feel straightforward.

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